This is “Shakespeare’s Globe”, a reconstruction of the Globe
Theatre in which many of William Shakespeare’s plays were originally performed.
It stands on the south bank of London’s River Thames, close
to London Bridge and Tate Modern art gallery. It is not on the exact site of
the original theatre but only about 750 feet away. In one sense, the current
location is more accurate than the “real” one would have been, because
Shakespeare’s theatre was right on the bank of the river, as the reconstruction
is, but the river has changed its course over the centuries.
The “new” theatre was the brainchild of American actor and
director Sam Wanamaker, who started the project to rebuild the Globe in 1970.
After much fundraising and overcoming of opposition, the new theatre was
completed, and the first performances held, in 1997. It has had a summer season
(not just of Shakespeare’s plays) ever since.
The reconstruction was done as faithfully to the original
design as possible, subject to health and safety requirements and question
marks over what the original design actually was. One remarkable feature of the
Globe is that it has a thatched roof, and is therefore the only building in
London of which that is true, thatch having been banned ever since the Great
Fire of London in 1666!
The construction was done by using traditional methods and
materials as far as was practically possible. Oak was used for all the
structural timbers which were assembled using mortise and tenon joints. No
steel was used, and only a minimal amount of concrete.
Theatregoers can get an experience that is not far removed
from that enjoyed by Shakespeare’s contemporaries. For one thing the auditorium
is open to the elements (hence the lack of a winter season) and the seats are
bare boards (cushions can he brought or hired!). There is also plenty of
standing room as in the days of the “penny stinkards” that formed a
considerable element of Shakespeare’s audiences.
It is a great shame that Sam Wanamaker died in 1993, four
years before his dream became a reality. He would have been justly proud of
what he and his team gave London’s cultural scene.
© John Welford
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